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Cake day: July 29th, 2023

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  • I would auction shelf space at my mega chain grocery store to large brands. The highest bidder would have the opportunity to buy up all the shelf space in order to bury any potential competition. The bidder could create 100s of different labels of essentially the same goddamn product, in order to maintain the illusion of choice, maximize consumer confusion, and thus maximize the time a customer spends thinking about the shelf-dominant brand, for some otherwise dead-simple purchase, such as toothpaste.





  • On “mutual ownership”. I’m not convinced that anything, whose agency has been removed through confinement, can be said to have equal weight in the decision to be owned, and thus be claimed “mutual”.

    You give evidence of our like behavior with other animals, and claim that my position MUST operate from the belief of our “difference and superiority”.

    Consider the inverse: Humans are not distinct and not superior. Therefor, all animal behavior is acceptable human behavior, for we are not but animals.

    Its not exactly the society most would want to live in. People can and do use animal nature as means to justify horrible behavior. “Its a dog eat dog world, the villain proclaims”, as if the only surprise is that their victim would have expected it any other way. Mantises devour the male after copulation. Why then do you demand I not do the same?! Pointing to the way things are in nature as a means to find justification for human behavior doesn’t seem to lead to a useful foundation for ethics; maybe it even to to its dissolution.

    So yes, I think we’re different. I think that in many ways our difference comes from our responsibility of stewardship. Because we do have knowledge, agency and control to the degree that we can destroy or restore environments.


  • Picking up wild animals which would much prefer to be left alone, so you can get your picture taken, is not loving them. Keeping animals in cages so you can have something on your shelf to look at, is not loving them. Most animal ownership is possession for the possessive, masquerading as caring.


  • I would advocate for using each tool, where it makes sense, to achieve a more intelligible graph. This is what I’ve been moving towards on my personal projects (am solo). I imagine with any moderately complex group project it becomes very difficult to keep things neat.

    In order of expected usage frequency:

    1. Rebase: everything that’s not 2 or 3. keep main and feature lines clean.
    2. Merge: ideally, merge should only be used to bring feature branches into main at stable sequence points.
    3. Squash: only use squash to remove history that truly is useless. (creating a bug on a feature branch and then solving it two commits later prior to merge).

    History should be viewable from log --all --decorate --oneline --graph; not buried in squash commits.




  • You misunderstand me. Artists want to be able to dedicate themselves to the development and creation of their art. Unfortunately that requires money. For most people (poor people) the only way to both be making art non-stop, and be able to live at a somewhat normal standard, is to get paid while doing it.

    I know many artists. I art majored. Everyone is trying to find a way to make it viable, by figuring out what they are able to sell. Sure, yeah, its for the love of art. It can only be so when you have someone paying your way, or you’re already retired. If your making art as a hobby and a hobby alone, you probably care little about conversations of IP. For one, because your original work is protected immediately upon creation, and for two, IP is about protecting commercial interests. You made the thing for no reason than to satisfy your own interest. You don’t really care if anyone paid you or not, you would have done it anyways, therefore IP doesn’t really concern your hobby. As soon as you take the thing to gallery, and put a price tag on it, you’re no different than anyone else trying to see what they can make a buck off of.

    I’ve been on both sides of it, giving one form of art away, while seeing if I could make a living off of an another. Commercial art was not for me. But I respect what IP protection provides to those who do choose to commercialize.



  • Artists enter into contracts with publishers willingly. Their work is not stolen. If it was they could easily win a court case for infringement. They bargain their rights because they’re eager for a shot at money. It is very hard breakout without one, if that’s your goal. Consolidation of the networks is a completely different debate, and I agree its egregious and they need to be broken up. But no one is preventing anyone from creating a new super hero, or sci-fi universe. It happens every day, you just have to search a little harder because big networks aren’t paying millions of dollars to put some unknown indie author’s work in your social feed.


  • Copyright is a tool that gives creators the ability to commercialize their work. That its spirit, nothing more. The abolishment of copyright would be in no way productive imo. At least in the US, we have a lifetime for exclusive rights, at which point the material moves into the public domain. It really seems like a good system to me. If anyone could sell the thing you just spent time and money creating for free, there would be little incentive to create the thing. And its existence doesn’t at all prevent people from offering their creations for free use, by placing directly into the public domain.







  • ActionHank@sopuli.xyztoMemes@lemmy.ml¿¿Que??
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    8 months ago

    lol yeah I guess it depends on the length of the sentence and the context. Context is usually pretty clear for questions, and maybe exclamations are typically short enough that the ‘!’ is already visible anyways. Definitely wasn’t considering periods and commas in that list.