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The contemplative and slower tone of the coda really highlighted what was lost in switching to shorter seasons with a long serialized arc to babysit. Imagine if we had those arcs but with a handful of bottle episodes peppered throughout.
I wonder if they cut down the Moll resolution a bit to make room for the series wrap up. It did feel a bit abrupt.
I totally called Kovich being a time traveler, but them folding him into Daniels was a neat surprise, and felt like a naturally revelation. “Oh, of course he’s bloody Daniels.” It expanded both characters without diminishing their mystery at all.
Knowing that Calypso was meant to be the whole focus of season 6 is a hard blow, though. We’ll likely never get that story now. I’m glad they were able to at least tie it firmly back to the show, but man, it would have been fun to see how it played out. Why does Kovich need this Craft, and why does it require the ship to be de-refitted? Maybe now that the show is done they’ll give it a proper continuation in novel form. One can only hope.
This is an excellent distillation of what makes Tilly great. Imho she’s the best written character across the board in any Trek of the past two decades. I missed her sorely in season 4.
It’s definitely a a nice nod to the character. If bar patrons 600 years later still get the reference, that speaks well of her lasting influence on the Federation.
I don’t really see it with Paris, but I’ve often thought Anthony Rapp and Alan Tudyk should play brothers in something.
I wonder if they ginned these up for Section 31 or Starfleet Academy (if that’s still a thing?) and figured they could use them here, similar to the First Contact uniforms being ported over to DS9.
I really think they just overplayed their hand, and he really did overdose by accident - or because he thought it was the only way for Moll to get away. I don’t believe either of them are basing a strategem on the Progenitor tech actually being able to resurrect him, but Moll is desperate now, so she’s willing to believe it might work because it’s the only hope she has left.
I don’t think Reno was referencing The Littles, as she referred to the treasure hunt as sounding like something out of a holonovel “for the littles”. Unless there’s something specific in Peterson’s stories relating directly to this, I’m pretty sure it was just a cutesy way of saying “for little kids”.
Thanks for making these posts every week. I come here after every episode to see what references I missed.
In that episode more time had passed, and Zora never mentions the crew by name, so the crew she was waiting for to return might have been replacements who never arrived.
Would have been funny to bring fellow Cylon Landry back and have Rayner say “wait do I know you?”
Also, what is dragging him along with Burnham and Rayner, while the consciousnesses of everyone else are presumably unaware of the jumps? Come to think of it what’s the point of the Time Bug if nobody involved is usually aware of it? Is the jumping just a side effect of the ship being “frozen” in time?
This certainly has the ring of truthiness to it.
Now kith.
I don’t!
My wife does it for me, lol.
I have a group text with my immediate family so we can coordinate semi-regular get-togethers, and I do the same with my own kids, but that’s it.
(There’s no way I’d be able to get my parents to learn how use anything more complicated anyhow, and just getting everyone in my own household to use a shared calendar was a whole thing. Simpler is better.)
My wife, however, likes staying informed, if not always in touch, and so dutifully does all the obligatory proud parent posting on facebook. She lets me know if anything important comes up from one of the relatives on there.
Distant family stays distant, which is how I like it, because most of them are pretty right wing anyway and the less I have to engage with their gibberish the better. Otherwise I only visit facebook occasionally to browse a shitposting page for a podcast I listen to. It’s better this way.
Okay, but what do you like about it?
Why do so many people go online and think it’s suddenly normal human behavior to walk into a room griping about something?
Temper your expectations and it’s perfectly enjoyable.
You’re imposing an enlightened modern viewpoint onto a universe with explicitly different rules. In Middle-earth, there actually IS such a thing as absolute evil, unredeemable and not possessing what we would call a soul, and the orcs are plwced firmly in this class of being. Their sapience is not relevant to the morality of killing them when they are evil.
I understand that this doesn’t map onto the real world very well, but the real world also doesn’t contain immortal beings who are within a few degrees of separation from the creator Eru Ilúvatar himself, who have literally spoken with either him or his greatest servants the Valar. It’s hard to deny the rules of good and evil when you have them firsthand from the creator of the universe.
My point is simply that you have to define the frame you’re arguing within. If your frame is the real world, then you are correct and orcs should be treated the same as any other living being. But if your frame is the subcreation of J.R.R. Tolkien, you must acknowledge the stated realities of that world.
They are constructs, imitations of life, animated by the evil will of Morgoth and his foul apprentice Sauron. They’re no more people than ChatGPT is people.