I think the top left has a lot of Opel (or Vauxhall if you’re so inclined) Mokka about it.
I think the top left has a lot of Opel (or Vauxhall if you’re so inclined) Mokka about it.
Nu har jeg ikke læst bøgerne, så hvor tæt de fulgte kildemateriale kan jeg ikke sige så meget til. Jeg er dog enig i at anden sæson havde lidt flere huller i historien. Det eneste jeg tænkte med første sæson var hvordan en tilsyneladende kæmpe virksomhed flytter ind i en lille by og enten bliver ingen lokale ansat eller de skal finde nok i den lille by der er villige til at bidrage til svindel og holde det hemmeligt. Begge virker lidt underligt.
Men hvis man bare acceptere dem som lidt “hjernedød” action sjov hvor en stor gut går rundt og smadrer “onde kriminelle” synes jeg begge sæsoner er var fine.
Jeg “binge’ede” lige begge sæsoner af Reacher på Amazon sidste uge. Hvis man godt kan lide lidt action og lidt “retfærdighedsporno” så synes jeg helt klart den er hver at se!
Yeah, I’ve also never really been a big fan of Brutalism, but I’ve seen a couple of examples which were surrounded by greenery, and I think it can actually work quite well sometimes. Something about the contrast just works somehow, I guess.
For me, I think it has to be Pulp Fiction. I just recently rewatched it for the umpteenth time and it’s just as great as ever. I find myself quoting it quite often.
A bit of an outsider which is a big hit in my family is “A Good Year” by Ridley Scott, staring Russel Crowe. It’s a nice fun movie and for a family of francophiles like mine it’s a great way of getting a bit of the France we love in the middle of the dark Northern European winter.
“Pointer”, ha!