• Maggoty@lemmy.world
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    25 days ago

    I’d be shocked if they put that much thought into it. It’s probably just good old unconscious ethnocentrism. Jesus is white because I’m white and that’s my default setting to view the world.

    • x0x7@lemmy.world
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      25 days ago

      Or because at that time they only knew white people so they assumed he looks like a person.

      It doesn’t even have to be some subconscious ethnocentrism. It could just be someone painting what they know people to look like.

      • Maggoty@lemmy.world
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        25 days ago

        There’s quite a bit of evidence they knew what other people looked like. Western Christianity goes big in Italy and they have regular trade contact with the Levant and Northern Africa.

        That trade contact comes to the entirety of Europe thanks to the Byzantine Empire, also known as the Eastern Roman Empire.

      • Maggoty@lemmy.world
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        25 days ago

        Do we have evidence the Renaissance white washed the Bible? Or were they just enthusiastically following what was already the idea?

    • Hawke@lemmy.world
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      26 days ago

      There is.

      Of course search engines are all shitted up with the TV show and ai slop.

  • sabreW4K3@lazysoci.al
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    26 days ago

    Day it louder for the people in the back. This is how white supremacy works. One of capitalism’s most powerful tools.

  • meiti@lemmy.world
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    24 days ago

    It’s not only Jesus, but it’s religious figures too. Muslims do the same to depictions of their saints, they should always look like “us”.

    • Sundial@lemm.ee
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      24 days ago

      Majority of Muslims actively avoid portrayals of religious figures. They would rather have the persons head glowing or something like that to avoid misrepresentation.

  • مهما طال الليل@lemm.ee
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    25 days ago

    Jesus became white when Christianity spread in Europe and became a European religion. Earlier Jesus paintings had him a few shades darker. Palestinians are still light skinned and the dark skin is mostly acquired from working in the field.

    • Manmoth@lemmy.ml
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      25 days ago

      Jesus is depicted as black in the Ethiopian Orthodox church and is shown as Japanese in some Japanese Orthodox churches.

  • bad_news@lemmy.billiam.net
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    26 days ago

    Imma be a total dweeb and give the correct answer. Jesus is just Josh in Greek. There’s many meticulous Roman records about messianic rebels in Judea, not a single Josh among them. One possible interpretation would be that the Romans were so invested I’m erasing Jesus from history, they removed the Joshes, but Christianity was a NON-factor before 77AD, so doubtful Roman clerks were furiously burning records to cover up a messianic figure nobody would give a shit about for a century.

    The earliest 1st century CE images have Jesus portrayed like a little Harry Potter of indeterminate race, which seems weird since he’s supposed to be 30, but maybe it’s a Michael J Fox situation, where he points his magic wand at images of the miracles (like loaves and fishes) but it’s more likely he never existed (thus the absence of that Josh in the meticulous records).

    Rome around this time was religiously divided between an ostensible state religion of the Roman pantheon we all know and love and various “cults” such as The Cult of Saint John, which predates Christianity – you can think of his appearance in Christianity like how Munch from Homicide: Life on The Streets carried over to Law & Order: SVU. Other cults were influential among various groups – Cult of Isis and Osiris was for the nerds, Mithraism was for the jocks, Cult of Cybele was for the ladies.

    Constantine, when he came to power, desperately wanted to reboot the Roman state religion with more of that slick theocratic energy they saw in Judea, so he decided the answer was scrapbooking: He’d call the religion Christianity, but Jesus would be sexy Apollo, and God would be bearded Zeus, both of Greco-Roman imagery. The marriage ceremony would come from Isis and Osiris, and they shoehorn in mother imagery from Cybele and Skandamata, creating Mary iconography. Throw in a dash of baptism from John the Baptist and Mitraism’s bath in bull’s blood, and voila! Christianity as we know it.

    So the tl;dr is that’s not your Jesus, that’s Sexy Apollo with a Jesus skin mod, and there never was a historical Jesus, he never existed

  • ILikeBoobies@lemmy.ca
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    26 days ago

    Because he was drawn by Europeans

    Just like Black/Yellow Jesus existing in those populations

    You ask someone to draw a person, they will likely draw someone resembling people they see. If you tell an artist a thousand years ago “from the middle east” they will say what’s that

    Then you just propagate those depictions

        • undergroundoverground@lemmy.world
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          25 days ago

          Lol, its not that I didn’t understand or that I missed it. It’s that I disagree that its a cogent reason.

          When I was young, I used to draw pictures of people with stick bodies and round heads. They were also often bright or powder pink in colour. I propagated the shit out of that too.

          Then, when I found out that wasn’t the correct way to draw people or the natural colour of human skin, I stopped drawing them and colouring quite so comedically ridiculous.

          Why can’t the people who draw Jesus manage this?

          • antonim@lemmy.dbzer0.com
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            25 days ago

            The comparison with your own childish vs adult drawings is simply off the mark. A more similar comparison could be provided by how artists depict the Vikings. It is well known today that the helmet with bull horns is made-up, and was probably never used by actual Vikings. Yet tons of people still portray them with such helmets, and most non-artists still have that same association in their minds. Why? Because a child growing up and developing their observational and artistic skills is not the same as a culture with its century-old symbols and images.

            Admittedly the depictions of Jesus in art today are frequently done by more or less amateurish artists and are meant to be traditional in their style, which additionally makes them less likely to move away from the inherited imagery.

  • RadicalEagle@lemmy.world
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    26 days ago

    The “rightymemes” version of this is a kid asking Miles Morales why he’s brown and having text below that says

    “Because, I’m a psychological tool. By creating the image of a brown Spider-Man this subliminally engrains the myth of brown superiority into the subconscious minds of white people. This makes you people more compliant with our brown dominance over your lives.”

    The circumstances of one’s birth are irrelevant. It is what you do with the gift of life that determines who you are.

    It’s one thing to make an observation of how Jesus’s “image” has been adopted by different ethnicities, but when the official lore is that all humans are made in the image of God I think there are more productive ways to approach the topic of the societal impact of whitewashing.

    I guess it’s the difference between saying “fictional white characters/heroes are bad because they reinforce white supremacy” vs asking “how foolish is it to look at a painting and try to judge which color of paint is ‘best’?”

  • Queen HawlSera@lemm.ee
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    25 days ago

    Or hear me out, most depictions are from the renaissance when “Not being white” was a relatively new concept to Painters?

    • finestnothing@lemmy.world
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      25 days ago

      Jesus is white and ripped because of several very prominent renaissance painters using their hot twink lovers as their models

    • NaevaTheRat [she/her]@vegantheoryclub.org
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      24 days ago

      This is a pretty flawed understanding of history.

      Humans have always travelled, in Europe even serfs would hope to go on pilgrimage and Lords generally had to allow it. Although it may only be to a nearby cathedral. Italy was a trade hub, and a relatively short trip by boat to north Africa.

      European painters knew that people came in different shades. As proof, go look at the school of Athens painting.

      • nutomic@lemmy.ml
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        24 days ago

        The average peasant in medieval Europe would certainly never see an African person in his lifetime.

        • NaevaTheRat [she/her]@vegantheoryclub.org
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          24 days ago

          Across all of Europe and all of the middle ages? Sure probably. Never hear of them, see them in art? I dunno, it’s hard to say because we don’t have a lot of documentation on what normal people’s lives were like.

          In the cosmopolitan cities like Prague you probably would. Also any major Mediterranean trade port. Anyone who went on pilgrimage to those places, or along them, probably would. Cutting off Jerusalem to pilgrimage being such a big political deal indicates that many people went there or wanted to, and people loved sharing stories of places.

      • Queen HawlSera@lemm.ee
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        25 days ago

        Are you trying to say any historical event involving white people is racist in and of itself (As opposed to it merely being limited to the tragically high amount of ones directly linked to the exploitation of minorities) or that you are racist and believe renaissance era artwork to be proof of white racial superiority? Which brand of idiocy am I dealing with?

        • IndustryStandard@lemmy.world
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          25 days ago

          Demand fuels supply. Art style reflects a population. It’s not hard to guess where the Renaissance is hinting at when everything is ripped white dudes.

          https://asu.pressbooks.pub/race-in-the-european-renaissance-classroom-guide/chapter/teaching-race-in-renaissance-italy/

          Race as a concept and part of Renaissance life, however, has not been a central conversation in scholarship on Italy. This has made it difficult [189] for instructors to know where to start if they do want to bring the subject of race to the classroom. But the primary sources are brimming with racialized references: Petrarch extolled a white beauty, Dante condemned Mohammed to Hell, and Ariosto and Tasso both marshaled crusading themes and deified the violent expeditions of Christopher Columbus in their respective epics (and Tasso borrowed from the Aethiopica to create his heroine Clorinda, a white woman born to Black Ethiopian royalty). Racialized narratives around non-Italians, especially Muslims, Jews, and Black Africans, as well as the violent oppression of ethnic and religious minorities throughout the city-states, influenced this cultural production, and are important parts of Italian Renaissance history.

          • el_abuelo@programming.dev
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            25 days ago

            Are there a plethora of examples of black artwork depicting ripped white dudes? Or are we just saying that White Racism existed in a vacuum?

            • Randomgal@lemmy.ca
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              25 days ago

              I was thinking the same. It’s white people painting for rich white people, why would they EVER even think about the color of his skin? The right color is the color of whoever is paying you to paint it.

  • angrystego@lemmy.world
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    25 days ago

    Jesus: It’s because I’m not your god. I’m god of the people that colonized your country, took some of your people as slaves and made you all believe in me instead of your original black gods.