Generations of Resilience is the work of 22 Ukrainian photographers on display at PhotoBrussels festival 2024. The curation of imagery from the 70s to the present day shows the nature of the journey from independence to invasion and the struggle for the future of the country

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    6 months ago

    This is the best summary I could come up with:


    Each image, made in his home town of Kharkiv, is tinted with a cobalt blue wash, conjuring up a sense of cold hardship, a place where society is in a state of disintegration.

    From the oppression of the Soviet state rose a collective of artists and photographers sharing a visual language of protest, a distinct movement of opposition that became known as the Kharkiv School of Photography.

    Hand colourising images to give a sensational view of society for the greater good was a technique regularly used by Soviet state media to enhance their message.

    In an act of joyful defiance for which they could easily have been detained by the authorities he and his friends made their way to a local lake in the dead of night and there they gleefully removed their clothes, accompanied by the sounds of the violin while Pavlov photographed them creating an unparalleled series at the time that revels in freedom.

    In the mid-1990s a young Alexander Chekmenev was hired by Ukraine’s social services to take passport pictures for public records of the ill and elderly who were unable to leave home to do this for themselves.

    Finding a sense of purpose for the younger generation of photographers in Ukraine is a genuine concern when many of their peers have been displaced by circumstance or made the decision to step out of civilian life to join the fight on the frontline.


    The original article contains 699 words, the summary contains 236 words. Saved 66%. I’m a bot and I’m open source!